I was a bit upset the other day when I needed a authentic acoustic sounding reggae fill.
Looking back on your journey so far, what specific moments or productions would you say stand out for you personally A: I am very thankful to be a part of many great projects with many really wonderful people.Posted on Enjoy 150 Reggae Fills sampled from some of the most iconic and classic reggae to have ever existed! This is what I really love about working with sound and creating in the studio. The sound of the music and how it is captured must tell that story as well for everything to work together and to move the listener. There is more to a great song than just a great melody and a great lyric performed by a great artist. Music doesnt just have to sound great it needs to communicate, to move us and to make us feel something. What I mean by this is that there are plenty of ways to make music sound great, but there is a real art to making music sound like what the song and lyric is saying. Whats the greatest part of working with sound A: I believe in being able to bring a song or idea to life by the way it sounds or feels.
It was far more exciting than playing live it was a whole new world of being able to create and take time to craft sounds in a way that would bring a song to life and then capture that sound on a recording. That is when it all seemed to come together and make sense for what I wanted to do. I was watching the engineers and producers work, and recalling all of the training I had gotten early on at church. I distinctly remember walking into an actual recording studio for the very first time in my life to record. I played keyboards and several other instruments, so I simply knew that in some way I wanted to create music.Īfter high school, I went to college as a music major studying composition and arranging. I did love the ability to control the audio and sound as I had learned by this teacher at my church, but I had also taken music lessons from a young age.
So, for the next several months he taught me everything he could, and each week I would come with my list of questions that Id thought of throughout the week.īy the time I was thirteen years old, I was operating the controls by myself and even being hired as the sound engineer for conferences and weddings. Well, I was instantly amazed by how the audio could be controlled and he could see that I was captivated by that. Welcome to a collection of drums that encapsulates the essence of one of the most powerful and uniting forms of musical expression: gospel.Īside from having a track record of producing sonically immaculate studio productions, Danny is also widely recognized for his ability to capture the profound magic of live music.Ī teacher at my church was also the live sound engineer there, and one day I simply asked what he was doing behind that big audio desk during the church service. With its four fundamentally different sets of tonal characteristics, this EZX covers the entire scope and paints an impressive sonic image from the open-sounding tones of the early 1940s and the dry, muffled and tight ones of the 1960s to the punchy, distinct and crystal clear sound of today.
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